SPECS
Technical Specificiations
Production Manager:
Don Tartaro, 323.462.1835
FOH Tech Specs
Console
Midas Heritage 3000 (48 mono plus 4 stereo)
Drive
2 x Klark Teknik DN360 31 band graphics
(stereo L/R, front fills, subs)
2 x BSS Sound Web (line array) 1 x BSS 334 (subs)
Processing
1 x TC2290, 2 x Lexicon PCM91, 1 x Yamaha
SPX990, 1 x Lexicon PCM70
6 x DBX1066 comp/gate (12 mono channels), 1 x Drawmer DS404
quad gate
1 x Presonus ACP8 8 ch. comp/gate
Speakers
EAW 760 (2 per side) and 761(4 per side) Line array
12 x Martin Blackline 218 subs
4 x Martin WT2 (front fills)
Power amps
Hi- 3 x Crest 70001, Mid- 3 x Crest 8001, Low- 6 x Crest 9001,
Sub- 6 x Crest 9001, Front Fill- 1 x Crest 7001
Snake
Whirlwind 48 ch. plus 8 returns
Monitor System
(Located on stage right)
Floor wedges
6 x Martin LE700 1-15″ x 1.4″ (active)
5 x Martin LE12jb 1-12″ x 1.4″ (active)
(there is one addtional LE12jb used for cue)
1 x EAW SB250 drum sub 2 x 15″
2 x JBL type 1-15″ x 2″ (active)
power amps: 12 x Crest 7001
Side Fills
(2 per side) Martin W8C 3 way cabs (Hi, Hi mid, Lo mid)
(2 per side) Martin W8CS compact subs (lows)
(1 per side) Martin Blackline S218 (dual 18″ subs)
Power amps: HI- 1x Crest 7001, Mid- 1 x Crest 7001,
Low 1- 2 x Crest 8001, Low 2- 2 x Crest 7001,
Sub – 2 x Crest 7001
Drive: 2 x BSS 336 Mini Drive
Processing
5 x Klark Teknik DN360 stereo 31 bands EQ’s
2 x DBX 166 comp/gate (4 channels)
1 x Presonus ACP 88 8 ch. comp/gate
1 x Lexicon PCM 91
Stage
Power 6, 30 amp circuits
Stage
40′ across, 20′ deep, 4′ high
Microphone List
6: Sennheiser 421
4: EV 408
1: EV RE20
3: Yamaha MZ 204
4: Yamaha MZ 205
1:AKG D-12E
6: AKG C451 EB
1: Beyer 88
1: Beyer M201 N
1: Shure Beta 52
7: Shure SM 58
4: Shure Beta 58
7: Shure SM 57
3: Shure Beta 57 A
6: Countryman active DI’s, 1: Whirlwind director (passive), 1: Missing Link DJ (passive), 1: AXE DI’s, 4 Sescom DI’s (passive)
Balcony Width
70″ 8″
Marquee Dimensions
37″ 3/8 (w)x 64″ 3/8 (h)
Lighting Specifications
(All Plots are subject to change without notice)
-Lighting position for concerts is balcony view of the stage
-Lighting desk available is Avolites Pearl 2000
-Lighting control is dmx 512 with 4 universes
-Visiting LD’s may bring their own desk to 8k color washes on stage: L106, L119, L158, L126, L181, L139, L201 + 3 sets of ACL
-X 20 – Studio Spot 250 (x14 over head, x6 floor mount)
-X6 – SGM Flasher Strobes on stage
-X8 – 36 degree Source 4 to focus as specials
-X7 – Trackspots available for additional specials as needed
-2 line fibre-optic star drop
-Re-focusing, re-circuiting and re-patching strongly discouraged, but may be allowed for multiple dates and film/television shoots
-Re-gelling allowed on a limited basis – please notify in advance so that we can have it ready for you.
-Limited circuits available on stage floor – all circuits are standard 3 pin stage connectors -X6 – floor mount PAR 64 available
-LD is free to program what ever he needs
-Followspots available – please notify in advance
-Clear-Com to all positions
-Smoke/haze – 2 DF-50, 1 F-100
-Dance Floor has full compliment of lighting, separate from the stage, but available for use.
-Accommodations can be made for extra lighting equipment
-300 amp service available stage left for tie-in – YOU WILL NEED BARE ENDS
-300 amp service available stage right for tie-in – YOU WILL NEED CAMS
-Visiting companies are responsible for any damage that may occur during usage
Floor Plans
Main Floor – Lower Level
